Dakota Johnson’s Red Carpet Style, From ‘Fifty Shades’ To ‘Verity’

Johnson brought ’70s glamour to the New York premiere of Verity—a film adaptation of Colleen Hoover’s psychological thriller novel—in a custom fringed set from Calvin Klein Collection.

In 2026, the actor made her debut at MTV’s VMAs in a second-skin column dress, custom-made by Calvin Klein Collection.

The star leaned into the erotic thriller energy of Verity in a lace ivory Colleen Allen dress with black Fleur de Mal lingerie underneath.

She struck a regal image in this sculptural Valentino gown, complete with a floor-grazing cape and a structured, sequined neckline.

Johnson cosigned Alessandro Michele’s revival of the Valentino Rockstud heels in a pantless ensemble at the brand’s couture show.

Unexpected skin-baring was the theme of this Alessandra Rich gown, which featured a daring front slit, a sharp V-neckline, and side hip cutouts.

The actor opted for a familiar sweetheart silhouette with this Valentino sage green gown. Its asymmetrical ruching, however, delivered just the right amount of drama.

Johnson tested the limits of sheer dressing in a lace Gucci frock paired with black undergarments.

For the premiere of her love-triangle dramedy Splitsville, Johnson brought the metallic drama in a custom Gucci dress.

Johnson gave rom-com dressing an after-hours spin in this one-shoulder look from Gucci’s cruise 2026 collection.

Johnson practically glowed in this fringe-adorned, flapper-inspired Gucci gown for the premiere of Highest 2 Lowest.

Johnson sported a geometric leg slit and an off-the-shoulder silhouette, courtesy of Gucci, for SNL’s anniversary event.

High-waisted white briefs, a patinaed leather jacket, and a textured sheer dress made for an effective outfit formula for Gucci’s spring 2025 show.

Johnson has long been a proponent of the LBD, but this LRD (Little Red Dress) from Tom Ford certainly made a statement at the Mexico City premiere of Madame Web.

All eyes were on Johnson (and her Madame Web co-star Sydney Sweeney) at the film’s L.A. premiere. The actress cut a daring figure in this sheer naked dress from Gucci that she paired with Messika jewels.

The actress mastered the art of method dressing with this custom Annie’s Ibiza webbed look that she slipped into for a Vogue Brazil event.

Johnson looked buttoned up during a London Madame Web photo call in this cropped suit set from Versace.

Departing from her usual Gucci, Johnson went with a fish-motif kaftan dress from New York brand Bode.

Johnson looked like she was plucked straight from the ’70s in this semi-sheer crochet maxi dress that she sported for the 2023 Telluride Film Festival.

The actress was every bit of her “La Dolce Vita” self in this bombshell Versace number for a 2023 Martini celebration in Milan, Italy.

For Gucci’s picturesque runway presentation in Seoul, South Korea, the actress’ monochrome look mixed lace, leather, and sequins in a big way.

The star again opted for lace, this time in the form of a monogram bodysuit, for Gucci’s Milanese runway show. She rounded things out with a coordinating blazer, mini skirt, and knee-high boots.

Denim, denim, and more denim was at the top of Johnson’s to-do list for the 2023 Sundance Film Festival when she attended the event in a bustier, jeans, and oversized coat.

Johnson opted for an Area mini blazer dress and Jimmy Choo heels for the premiere of Cha Cha Real Smooth at the 2022 Tribeca Film Festival.

Of course, Johnson was part of the Gucci crew at the 2022 Met Gala, wearing a crystal-encrusted lace bodysuit to the event.

In a rare departure, Johnson opted to wear a black Schiaparelli dress with a brass chain halter detail to the 2021 Gotham Awards.

Johnson decided more was more in a custom Gucci gown with a jewel-encrusted overlay and ostrich feathers for good measure.

Dakota Johnson sparkled in Gucci once again on the red carpet at the 78th Venice International Film Festival.

Taking a break from A-line silhouettes, Dakota Johnson opted for striking Saint Laurent suiting.

Johnson struck an ethereal image in this Brandon Maxwell bridal-like two-piece.

Johnson offset her elaborate moss green Valentino number with a messy updo.

Johnson infused Toronto’s Film Festival with gothic glamour, courtesy of Dior.

From her sparkling headpiece to her bedazzled bleeding heart, Johnson’s Gucci get-up was befitting the Met Gala’s camp theme.

Wearing her heart on her sleeve—or rather, her back—Johnson stunned in a playfully embellished Gucci ballgown.

Complete with a trailing cape, a sharp plunging neckline, and a severe front slit, this Gucci number commanded attention.

Leaning into the gore of the horror remake, Johnson wore an abrasively bright red Celine mini.

Festooned with silver beading and decorative fringe, this strapless Gucci gown gave main-character energy.

The tiered skirt and gauzy sash infused this Gucci look with retro glamour.

Once again opting for statement-making red, Johnson stunned in a high-shine Dior gown for the horror film’s premiere.

This textured Prada gown, paired with a deep berry lip, made a simple but satisfying statement.

A black Gucci column—with just a hint of bedazzled logomania—proved to be a perfect eveningwear ensemble for the 75th annual Golden Globes.

This plunging bugle-gum Gucci gown, with star motifs and elaborate epaulets, shone brightly at the LACMA Art+Film Gala.

Filled with severe straps and romantic ruffles, this dramatic Gucci dress turned heads on the Met steps.

The classic black dress was totally transformed with the addition of this gargantuan coral bow—courtesy of Gucci, of course.

Johnson evoked a gilded statuette in this creamy, reflective Gucci gown.

Alexander McQueen’s ballooning sleeves and tangled-web-like embroidery exuded dark romanticism.

Saint Laurent sparkles and a bold red lip were a winning combination at the Fifty Shades Darker premiere event.

This subtly translucent, star-spangled Gucci gown was one of Johnson’s earliest entries into sheer.

Johnson was feeling romantic in a plunging crimson Dior gown with ruffles and a matching red lip.

Johnson went for the gold in this gilded Marc Jacobs frock, complete with princess stitching and ruffled straps.

Multi-colored, sheer, and oh-so-2010s—this belted Gucci number is deliciously indicative of the era.

Balenciaga’s structural ballgown served as an avant-garde statement at the premiere of Johnson’s crime thriller.

This offbeat Marc Jacobs frock—decorated with tiny tchotchkes—was a playful risk that paid off.

Johnson went classic in this blush Prada evening gown, which was free of embellishments and satisfyingly simple.

For the “China: Through the Looking Glass” Met Gala, Johnson wore a thematically appropriate reflective Chanel mini.

Johnson’s red Saint Laurent dress provided just the right amount of contrast to her mom’s all-black gown.

Saint Laurent’s angelic frock contrasted the decidedly darker themes of the erotic 50 Shades of Grey drama.

Johnson was all sparkle and shine in this bedazzled Chanel gown at the 72nd annual Golden Globes.

This Jason Wu dress—complete with a bedazzled bodice and opulent opera gloves—was a fitting choice for fashion’s biggest night.

Johnson looked polished and unfussy in this Cushnie Et Ochs shift dress.

Johnson subverted LBD simplicity in a square neckline and an inverted V-shaped silhouette.

Johnson and her mother exuded aesthetic synchronicity in satin gowns and tousled updos.

For Johnson’s first Golden Globes—at just 16—she donned a V-neck halter gown in a deep, romantic red.

Johnson’s bright beaded necklaces and bracelets gave this LBD a decidedly Y2K finish.

Sporting braces and a DIY shell necklace, a 12-year-old Johnson looked like a pro on the red carpet with her dad.

Even at 8 years old, Johnson had mastered red-carpet coordination in this gingham black-and-white set.